Les collages sonores et les paysages improvisés que regroupe l’album Les alentours, célèbrent les instants de tous les jours. Synthétiseurs modulaires, tape-loops et instruments DIY en tous genre, sont autant de machines à produire des matières à assembler, recomposer et sublimer. Paru sur le label californien Not Not Fun Records, l’album a été enregistré entre les collines du Livradois-Forez et Villeurbanne tout au long de l’année 2023.
Britt Brown, fondateur de Not Not Fun record et journaliste à The Wire, à propos de l’album Les alentours :
French constructionist Jean-Emmanuel Rosnet describes his latest suite of sound collages as “improvised landscapes and odes to everyday moments,” woven from a patchwork of modular synthesis, tape techniques, resampling, and digital processing. Les Alentours evokes overlapping dimensions of its creator’s ‘surroundings’ – physical, metaphysical, sonic, psychic.
Flickering electronics and hymnal hazes murmur within a web of restless ASMRbient dissociatives: crackling, pitter patter, plucked strings, smeared horns. Recorded both before and during a relocation from Lyon to the rolling hills and glacial valleys of the Livradois-Forez natural park two hours west, the album’s nine pieces capture a mood of whispered transience and unfamiliar thresholds, crafted from vignettes of “poetic intimacy in which to become lost and disappear.”
Britt Brown, fondateur de Not Not Fun record et journaliste à The Wire, à propos de l’album Les alentours :
French constructionist Jean-Emmanuel Rosnet describes his latest suite of sound collages as “improvised landscapes and odes to everyday moments,” woven from a patchwork of modular synthesis, tape techniques, resampling, and digital processing. Les Alentours evokes overlapping dimensions of its creator’s ‘surroundings’ – physical, metaphysical, sonic, psychic.
Flickering electronics and hymnal hazes murmur within a web of restless ASMRbient dissociatives: crackling, pitter patter, plucked strings, smeared horns. Recorded both before and during a relocation from Lyon to the rolling hills and glacial valleys of the Livradois-Forez natural park two hours west, the album’s nine pieces capture a mood of whispered transience and unfamiliar thresholds, crafted from vignettes of “poetic intimacy in which to become lost and disappear.”
